Monday, February 4, 2013

Awareness-how does one actually get around?



When it comes down to it, there are really only 5 ways of getting around the piano keyboard no matter how intricate or expressive the passage; most of what actually is dependent upon the actual dexterity/flexibility of the palm. Knowledge of the actual process makes for more coherency in the playing, allowing one to concentrate rather, on the artistic purpose of the passage. 1. Contraction (shrinking of the hand smaller than actual finger interval span) 2. Expansion/reaching (opposite of contraction) 3. Jumping/skipping/hopping 4. Crossing over and under 5. Finger substitution (switching fingers when repeating a note shifts the hand's position)

Our Studio has relocated across the Park!

Last week was a big week! Our studio relocated across the park, and the first of the two pianos have arrived! The Steinway B has been put on the truck. It is due for a long drive...will keep you posted.
Meanwhile, the little one has already arrived.
and went in for a tune up on Superbowl Sunday.
And yes, congrats to our Superbowl champs! Go Ravens!!

Wednesday, December 19, 2012

Look how we've grown!

My beautiful extended New York family whom all came together last friday...I am so proud of you all. It warmed my heart to see and hear your beautiful performances. And yes, there were indeed some magical moments! Till next year!

Friday, October 5, 2012

Chamber Music Recital Tonight at 7 pm!

A Special Evening of Cello/Piano Music

Friday, October 5, 7:00 p.m.
Greenfield Recital Hall, The Manhattan School of Music (located on UWS at 122nd and Broadway, 120 Claremont Ave).

Program:
Beethoven 12 Variations on Handel's Judeas Maccabeus
Brahms E minor Cello Sonata
Shostakovich Cello Sonata






Admission is free







Ben Larsen, Cello
Alexis Zhu, Piano

Tuesday, September 11, 2012

What are we doing when we practice exactly?





On the most basic level, these are the things we are trying to achieve by practicing...

Advanced Pianist
1. Clarification of Ideas
2. Character
3. Control




Beginner-Intermediate
1. Sound, tone
2. Coordination
3. Comfort
4. Balance
5. Fluidity